JASON LEIVA
Jason grew up with a camera in hand, and photo chemical stains on his clothes. Son of a photographer, Jason received his B.S. from Rochester Institute of Technology in Imaging Arts and Science in 2000.
Starting his career in New York City, Jason worked as a creative retouching artist for photographers and ad shops all over the country. In 2005, he relocated to Miami where he spent 7 years at Crispin Porter + Bogusky as a Photographer and Digital FX Director, on Volkswagen, Microsoft, Coke Zero, Sprite, Giro, Burger King, TRUTH and Mini Cooper among many others.
In 2011, Jason returned to New York City, where he took a gig at Mother New York as a Creative. He shot, produced, and directed projects for Stella Artois, Target, Bike NYC, Fred Perry, Virgin Mobile, and Maison Gerrard
Jason lives and works in Tribeca, New York.
Clients:
Christian Dior, Loewe, Ferrari, Canon, Google, Reebok, Android, Pepsi, Starbucks, Rose 1845, Justworks, Angry Orchard, Elie Tahari, Timberland, Starry, Spotify, Wampum, Tea Stream, Marvel, Netflix, Carvana, and Resource Magazine.
Chris is based in Kansas City, Missouri. He is a nationally published photographer whose work has been featured in numerous publications including The Wall Street Journal and Billboard Magazine.
With 10 years of experience in the industry, he has built an established client list ranging from sole proprietors to Fortune 500 companies.
www.instagram.com/iamchrismullins
Client list:
Google Fiber, Blue Cross Blue Shield,The Wall Street Journal
Billboard Magazine,The State of Kansas Governor's office,
Champs Sports, Eastbay, The Nelson Atkins Museum of Art
Mazuma Credit Union, Hallmark, Boulevard Brewing Company, American Royal, YETI, JDRF, Visit KC, The Cordish Companies, Zaarly, Firefly Technology, HFF Commercial Real Estate
DH Pace, Castilleja Furniture, Kellogg University, KCPT
DaVita, Orbis Biosciences, Hammerpress, The Pitch
Kansas City Magazine, Feast Magazine, Paolini Garment Company,
BKS Artisan Ales, Thou Mayest Coffee Roasters, Quay Coffee
Architect Magazine
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